200 Motels: Original MGM Motion Picture Soundtrack [Enhanced CD] [Double CD] [Import] [Soundtrack] [PR]

Frank Zappa （Rykodisc）


CD
発売日：2002年7月15日(月)


≪関連『映画・ドラマ』タイトル≫

曲目リスト ※試聴はAmazonでどうぞ。
ディスク：1
  1. Semi-Fraudulent/Direct-From-Hollywood Overture
  2. Mystery Roach
  3. Dance Of The Rock & Roll Interviewers
  4. This Town Is A Sealed Tuna Sandwich (Prologue)
  5. Tuna Fish Promenade
  6. Dance Of The Just Plain Folks
  7. This Town Is A Sealed Tuna Sandwich (Reprise)
  8. The Sealed Tuna Bolero
  9. Lonesome Cowboy Burt
  10. Touring Can Make You Crazy
  11. Would You Like A Snack?
  12. Redneck Eats
  13. Centerville
  14. She Painted Up Her Face
  15. Janet's Big Dance Number
  16. Half A Dozen Provocative Squats
  17. Mysterioso
  18. Shove It Right In
  19. Lucy's Seduction Of A Bored Violinist & Postlude
ディスク：2
  1. I'm Stealing The Towels
  2. Dental Hygene Dilemma
  3. Does This Kind Of Life Look Interesting To You?
  4. Daddy, Daddy, Daddy
  5. Penis Dimension
  6. What Will This Evening Bring Me This Morning
  7. A Nun Suit Painted On Some Old Boxes
  8. Magic Fingers
  9. Motorhead's Midnight Ranch
  10. Dew On The Newts We Got
  11. The Lad Searches The Night For His Newts
  12. The Girl Wants To Fix Him Some Broth
  13. The Girls Dream
  14. Little Green Scratchy Sweaters & Courduroy Ponce
  15. Strictly Genteel (The Finale)
  16. Cut 1 'Coming Soon!...'
  17. Cut 2 'The Wide Screen Erupts...'
  18. Cut 3 'Coming Soon !...'
  19. Cut 4 ' Frank Zappa's 200 Motels...'
  20. Magic Fingers (Single Edit)
レビュー (Amazon)
Searching for this missing piece of the Frank Zappa catalog helped Rykodisc secure the rights to the United Artists and post-1985 MGM film libraries. But 200 Motels also serves as a good introduction to the late rock icon/avant-garde composer's absurd view of his world; i.e., the pop music business.

Essentially a filmed dadaist opera (the bulk of the music is performed live as the video cameras rolled, 200 Motels incorporates sporadic patches of Mothers of Inventions rock into the atonal, largely European, musical framework that Zappa was clearly more interested in. He shrewdly used contemporary pop merely as a marketing shill for the complex, often difficult, music that drove him. (For a taste of the film's uniquely skewed artistic sense, Ryko has included the original 200 Motels theatrical trailer as part of this set's enhanced-CD bonus material).

As always, the Zappa of 200 Motels sometimes confuses the profound with the obscene, but with every passing year, he seems more likely to take his place alongside the great American modernist Charles Ives, another composer whose work was every bit as commercially troubled and artistically misunderstood. --Jerry McCulley

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