Alien Nation: Music From The Original Television Scores [Soundtrack] [Import] [PR]

David Kurtz、Joseph Harnell、Steve Dorff (Gnp Crescendo)



CD
発売日:1992年1月21日(火)



≪関連『映画・ドラマ』タイトル≫


曲目リスト ※試聴はAmazonでどうぞ。
  1. Alien Nation: Prologue And Main Title
  2. Generation To Generation
  3. Return To Tencton
  4. One Hot Heinrick
  5. Tenstonolian Mode Groove
  6. Astronomical Discovery
  7. Tailing A Wimp
  8. Howdy, Pod
  9. Alien Animal Activists
  10. A New Beginning
  11. In Your Life
  12. Confrontation
  13. The Monastery Three
  14. George Entertains
  15. The Ceremony
  16. Touch Heads
  17. Presents
  18. George Warms Up
  19. Resolution
  20. Slag Pop
  21. Spaced Out Lover
  22. Sneak Attack
  23. Jenny's Story
  24. Sensuality
  25. Cathy's Story
  26. The Alley
  27. Memory Of An Old Game
  28. Geroge Gets It
  29. Susan: Assassin
  30. Proud Fathers
  31. Alien Nation: Prologue And Main Title-Reprise

レビュー (Amazon)
Great concept. Finely acted ensemble cast. Strong scripts. Unique approach to scoring. So why did Alien Nation the series get cancelled? The sad but simple answer is it came too early for the mid-1990s flirtatious fascination with sci-fi. "Return To Tencton" is only four minutes in and already the listener is hooked. There has been the "Main Title" with its Tenctonese chant of "ganilpa", a tranquil prologue, and then this mix of Indian percussion and ambient synth moods. It was a moment like so many throughout the show when a TV composer was actually allowed to shine. Being a twist on the buddy cop scenario, there were always car chases and shoot-outs to tackle. It's the thoroughly rounded alien culture that makes this so special though. "Howdy Pod" is a great example, being a choral prayer to the Gods as George gives birth. There's even a little avant-garde alien composition in "Tenctonollan Mode Groove", and some funky rhythms for "Slag Pop". TV scores have rarely been as experimental, before or since. --Paul Tonks
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