The Green Mile: Score from the Motion Picture [Soundtrack] [Import] [PR]

Thomas Newman (Warner Bros / Wea)



CD
発売日:2000年3月8日(水)



≪関連『映画・ドラマ』タイトル≫


曲目リスト ※試聴はAmazonでどうぞ。
  1. Old Alabama
  2. Monstrous Big
  3. The Two Dead Girls
  4. The Mouse On The Mile
  5. Foolishment
  6. Billy-Be-Frigged
  7. Coffey's Hands
  8. Cheek To Cheek
  9. Condemned Man
  10. Limp Noodle
  11. Scared Of The Dark
  12. Wild Bill
  13. Cigar Box
  14. Circus Mouse
  15. The Bad Death Of Eduard Delacroix
  16. Boy's Eye
  17. Two Run-Throughs
  18. Red Over Green
  19. I Can't Give You Anything But Love
  20. That's The Deal
  21. L'Homme Mauvais
  22. An Offense To The Heart
  23. Morphine & Cola
  24. Night Journey
  25. Danger Of Hell
  26. Done Tom Turkey
  27. Did You Ever See A Dream Walking
  28. Trapingus Parish
  29. Boogeyman
  30. Shine My Knob
  31. Briar Ridge
  32. Coffey On The Mile
  33. Punishment
  34. Charmaine
  35. Now Long Gone
  36. No Exceptions
  37. The Green Mile

レビュー (Amazon)
The greatest soundtrack composers have historically performed a musical tightrope act, being called upon to be stylistically inventive yet invitingly familiar, emotionally compelling without being cloying. In modern times, few have risen to the challenge like Thomas Newman. His score for Frank Darabont's adaptation of Stephen King's miraculous death row fable is an organic masterpiece, whether Newman is wringing dramatic fury from his orchestra's rhythm and percussion or, as is more often the case here, delicately shading the proceedings with a palette of sounds distinctly his own. Though seasoned with a pinch of period pop and folk music to underscore the film's period and locale, it's Newman's spare, creative soundscapes that become the film's subtle, emotional core. The composer may have grown up in a family (Hollywood's legendary Newman clan) steeped in daunting film-music history, but Newman has gratifyingly created a body of work whose attention to shade and nuance--and their crucial spiritual connections--seem more influenced by Bernard Herrmann, and that's not bad company, either. --Jerry McCulley
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