Saving Grace [Soundtrack] [Import] [PR]

Mark Russell (Wea International)



CD
発売日:2000年6月12日(月)



≪関連『映画・ドラマ』タイトル≫


曲目リスト ※試聴はAmazonでどうぞ。
  1. Introduction - Mark Russell
  2. Grace's Theme - Mark Russell
  3. Take A Picture - Filter
  4. Make Me Smile (Come Up And See Me) - Steve Harley & Cockney Rebel
  5. Spirit In The Sky - Norman Greenbaum
  6. Will You Give Me One?
  7. Sunshine At Last - Koot
  8. Grace In Notting Hill - Mark Russell
  9. Human (Tin Tin Out Remix) - Pretenders
  10. Drugden - Mark Russell
  11. Might As Well Go Home - Plenty
  12. Would You Like Some Cornflakes?
  13. Wise Up (Car Port Mix) - AFT
  14. The New B323
  15. Cornwall Chase - Mark Russell
  16. Accidental Angel - Sherena Dugani
  17. Witchcraft - Robert Palmer
  18. All Things Bright and Beautiful - Mark Russell

レビュー (Amazon)
Long before it opened, this Brenda Blethyn comedy received rave reviews from festival screenings. The story follows a woman who turns her green thumb to cultivating a marijuana crop to save her home, and comes with a soundtrack that seems predictable from the track listing, but proves far more interesting. It's some accomplishment: any album that manages to feature Norman Greenbaum's "Spirit In the Sky" and not be overwhelmed by the ubiquitously-hooked classic rocker deserves kudos, and the other pop songs here are more than up to the jib. There's Filter's "Take a Picture", which sounds like a great, lost track from James; the suitably spacy "Sunshine At Last", by Koot; an ace mix (from Tin Tin Out) of the Pretenders' "Human"; the Squeeze-esque "Might As Well Go" from Plenty; and newcomer Sherena Dugani's "Accidental Angel"--by rights a summer anthem of a pop song. Mark Russell's score is varied and consistent, fitting the mood perfectly; this TV veteran (he's probably best known for his work on "Cold Feet" and "The Peter Principle") shifts between maudlin and playful, funky and far-out. The dialogue blended throughout the CD gives the general storyline and actually enhances the cohesion of the collection; as either an accompaniment or an advertisement for the film, it more than fits the bill. As a stand-alone, it's a stand out success. --Randy Silver
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