The Mercenaries (Dark of the Sun) (1968 Film) / Guns For San Sebastian (1968 Film) [Import] [PR]
Ennio Morricone、Jacques Loussier （Chapter III Records）CD
発売日：2000年7月25日(火)
≪関連『映画・ドラマ』タイトル≫
- エンニオ・モリコーネ
- 『サン・セバスチャンの攻防』 (1968)
- 『 戦争プロフェッショナル』 (1968)
曲目リスト ※試聴はAmazonでどうぞ。
- Guns For San Sebastian: Overture
- Guns For San Sebastian: The Chase
- Guns For San Sebastian: The Long Trek
- Guns For San Sebastian: Love Theme (Leon Leaves Kinita)
- Guns For San Sebastian: Music At The Governor's Dinner
- Guns For San Sebastian: The White Stallion
- Guns For San Sebastian: Love Theme (Leon Tells His Love)
- Guns For San Sebastian: Building The Dam
- Guns For San Sebastian: The Attack
- Guns For San Sebastian: The Burning Village
- Guns For San Sebastian: The Villagers Prepare To Blow Up The Dam
- Guns For San Sebastian: Teclo's Death
- Guns For San Sebastian: End Title
- Dark Of The Sun: Main Theme
- Dark Of The Sun: Claire's First Appearance
- Dark Of The Sun: The Mercenaries
- Dark Of The Sun: Curry's Drive With Claire
- Dark Of The Sun: The Doctor Is Found
- Dark Of The Sun: Curry And The Diamonds
- Dark Of The Sun: The Coach Rolls Back
- Dark Of The Sun: Claire And Curry
- Dark Of The Sun: The Chase
- Dark Of The Sun: The Fight
- Dark Of The Sun: Curry Kills Henlein
- Dark Of The Sun: Friendly Natives Having Fun
- Dark Of The Sun: Main Theme
レビュー (Amazon)
The Western genre had been given new life by the mid-1960s success of so-called "Spaghetti Westerns," an oeuvre that also helped break some decades-old musical cliches, thanks largely to the pioneering efforts of the great Ennio Morricone. Guns for San Sebastian, released in 1968, was composed during the same halcyon period as the composer's Once Upon a Time in the West. Though Guns is a bit more conventional, there are moments that recall its magnificent cousin, especially the title melody and soaring soprano of Edda Dell'Orso on "Love Theme." Jacques Loussier's score for the mercenary adventure tale Dark of the Sun is a good companion piece. Though known for his jazz work, Loussier combines those coolly shaded stylings with an inventive, seemingly Morricone-inspired use of rhythm, percussion, and murky orchestral colors to evoke a sense of danger and suspense. --Jerry McCulley
