Ost: Marnie [Soundtrack] [Import] [PR]

Bernard Herrmann (Varese Sarabande)



CD
発売日:2000年8月14日(月)



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曲目リスト ※試聴はAmazonでどうぞ。
  1. Prelude
  2. Marnie
  3. Forio
  4. Red flowers
  5. Flashback
  6. The bowl
  7. The safe
  8. The drawer
  9. Mark's office
  10. The storm
  11. The stranger
  12. The paddock
  13. The homestead
  14. Romance
  15. Encounter
  16. The porch
  17. The checkbook
  18. The bridal suite
  19. The cabin
  20. Love scene
  21. The pool
  22. The homecoming
  23. The horse
  24. Gratitude
  25. The nightmare
  26. The word game
  27. The hunt
  28. Forio's gold
  29. Forio's death
  30. Shock
  31. The stairs, the keys & the stairway
  32. The dial
  33. The money
  34. The gun
  35. Departure
  36. The street
  37. Flashback II
  38. Blood
  39. Farewell
  40. Finale
  41. Cast

レビュー (Amazon)
Although they collaborated abortively on Torn Curtain (1966), Marnie (1964) was the last Alfred Hitchcock film released with music by Bernard Herrmann. In an otherwise exceptional accompanying essay, Christopher Husted argues the score is very different from Vertigo (1958), yet to many ears Marnie does seem like an attempt to recapture the former masterpiece. Certainly the orchestrations are on a smaller, more intimate scale, but here is the same haunted romanticism and brooding, neurotic landscape. The main theme is one of those infinitely melancholy waltzes which run through Herrmann's career, evoking through variations between strings, brass, woodwind and harp the shadowy recesses of the heart. The big set-piece of "The Hunt" enables Herrmann to embrace his anglophile nature before evoking a swirling nightmare which very much might be marked "Vertigo II". This is not to say that Herrmann failed to craft a strong original score, only that this is cut from similar cloth which, in this rhapsodic new recording from Joel McNeely, comes vibrantly alive. Although there are 41 tracks, many are sequenced to flow seamlessly with the relentless, repetitive nature of the music creating an inescapable, dreamlike world. Graced with an excellent cover by artist Matthew Joseph Peak, McNeely does Herrmann proud. --Gary S Dalkin
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