Don't Make Waves, Make Love (1967 Film) / Penelope (1966 Film) [Import] [PR]
Vic Mizzy （Chapter III Records）CD
発売日：2000年10月10日(火)
≪関連『映画・ドラマ』タイトル≫
- ヴィク・ミジー
- 『美人泥棒』 (1966)
- 『サンタモニカの週末』 (1967)
曲目リスト ※試聴はAmazonでどうぞ。
- Don't Make Waves
- Daybreak At Malibu
- Malibu
- Confidence Man
- Stradella
- Zip, Zip
- Vox Box
- Love Theme From Don't Make Waves
- Driverless
- Madame Lavinia
- Daybreak At Malibu (Reprise)
- Malibu (Variations)
- The Girl On The Trampoline
- Penelope
- Poolside
- Penny's Arcade
- La Bostella
- The Girl In The Yellow Dress
- Penelope (Instrumental)
- Penelope (Love Theme)
- Girl Chase
- The Sun Is Grey
- Sadaba
- At The Art Museum
- The Mad Professor
レビュー (Amazon)
The 1960s were an often schizoid time for film soundtracks, which occasionally attempted to combine rock acts of the day with the "Swingin' Sounds" that three decades later became both fodder for Austin Powers and inspiration for a cultish subgenre dubbed Exotica. Welcome to a couple of prime examples of the genre, neatly compiled on a single disc. Anchored by the Byrds' throwaway title track, the remainder of Don't Make Waves is a showcase for the cheezoid-genius composing and arranging talents of Vic Mizzy (perhaps best known for his loopy, inventive themes for The Addams Family and Green Acres), an improbably bubbly soundscape of twangin' guitars, bumping horns, sexy organ fills, and hipper-than-thou woodwinds. John Williams (credited tellingly here as Johnny) had something of a head start in the Exotica derby, having been an integral part of the Mancini team that set the swingin' standards earlier in the decade. The title track here goes to the Pennypipers, but the rest is a sunny star turn for the budding talents of Williams, whose romps here are lush and, unusual for the genre, dignified. Attention "Golden Throats" fans: Natalie Wood's key-challenged warbling on the folksy, borderline-psychedelic "The Sun Is Grey" may evoke fond memories of The Shaggs. --Jerry McCulley
