Snatch. [Soundtrack] [Import] [PR]

John Murphy (Universal I.S.)



CD
発売日:2000年10月31日(火)



≪関連『映画・ドラマ』タイトル≫


曲目リスト ※試聴はAmazonでどうぞ。
  1. Diamond - Klint
  2. "Vere iz Da Storn - Benicio Del Toro
  3. Supermoves - Overseer
  4. Hernandos Hideaway - The Johnston Brothers
  5. "Zee Germans - Jason Statham
  6. Golden Brown - The Stranglers
  7. Dreadlock Holliday - 10cc
  8. Kosha Nostra theme - John Murphy and Daniel L Griffiths
  9. "Avi arrives" - Dennis Farina
  10. Cross The Tracks (We Better Go Back) - Maceo & the Macks
  11. Disco Science - Mirwais
  12. "Nemesis" - Alan Ford
  13. Hot Pants(I'm Coming, Coming, I'm Coming) - Bobby Bird
  14. Lucky Star - Madonna
  15. "Come again" - Alan Ford
  16. Ghost Town - The Specials
  17. "Shrinking balls" - Vinnie Jones
  18. Sensual Woman - The Herbaliser
  19. Angel - Massive Attack
  20. "RRRR...Rumble" - Charles Cork
  21. F**kin' in the bushes - Oasis
  22. "Avi's declaration" - Dennis Farina
  23. Don't you just know it - Huey piano Smith & the clowns

レビュー (Amazon)
Director Guy Ritchie has that Tarantino instinct for song intros that immediately arrest the attention. The best example is the Stranglers' classic "Golden Brown", which never gets further than its opening 30 seconds in the movie; ditto "Ghost Town" from the Specials. The album opens with the tour-de-force instrumental of Klint's "Diamond", which builds from the one instinct into his other for sustained rhythms. It's a cracking beginning as things move into triple speed with Overseer's "Supermoves". Following them up is a pretty eclectic bag of allsorts, but like the film itself, it all just about hangs together. There is reggae from 10cc with "Dreadlock Holiday", saucy soul from Bobby Byrd's "Hot Pants (I'm Coming, Coming, I'm Coming)", and oh look there's Madonna! Ritchie obviously considers their relationship his "Lucky Star". A little star power never hurts of course, and that is also provided by Massive Attack getting all Doors-like for "Angel", and Oasis "F**kin' in the Bushes". In the liberally sprinkled dialogue cuts, Alan ("Bricktop") Ford is as frightening on record as on film. It isn't quite Ritchie's Pulp Fiction, but all the hallmarks are certainly here. --Paul Tonks
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