Caveman's Valentine (Score) [Soundtrack] [Import] [PR]

Various Artists (Decca U.S.)



CD
発売日:2001年3月6日(火)



≪関連『映画・ドラマ』タイトル≫


曲目リスト ※試聴はAmazonでどうぞ。
  1. Tuning - The Main Title
  2. Moth Ballet
  3. Clink, Clink, Stuyvesant's Tower
  4. Valentine In The Trees
  5. Caveman In The Trash
  6. He Was Beautiful To Me
  7. Help Me
  8. The Bus
  9. Bob And Betty
  10. Rom on The Streets
  11. Rom And Arnold Ride
  12. Sheila At The Farm
  13. "Regnava nel silenzio"
  14. Does It Hurt
  15. That's Where You Made It
  16. Musical Rampage
  17. Caveman Gets Off Track
  18. Lovemaking
  19. Into The Freezer
  20. Rom And Lulu Drive
  21. Caveman Outside The Cave
  22. Another Life
  23. Except Once
  24. Rom On The Balcony
  25. The Letter
  26. Now
  27. Subway
  28. Finale

レビュー (Amazon)
With the encouragement of director Spike Lee, modern-jazz trumpeter-composer Terence Blanchard branched out into films, first as an actor and musician (including work in Do the Right Thing, School Daze, and Mo' Better Blues) then full-time scoring with Jungle Fever and Malcolm X. Lee's good judgment has paid off again with the score to this murder mystery revolving around a mentally ill classical musician (Samuel L. Jackson) and his efforts to unravel the crime. Blanchard's score is a true revelation, a sophisticated musical journey that seamlessly evokes classical flourishes, minimalism, jazz, and postmodernism, yet never succumbs to the mere mechanics of style or technique. From its clever opening (an orchestra tuning up, with the instruments playing snippets of the score's various themes), Blanchard evokes the film's musical foundations and background with largely piano-based compositions that essentially form two subtly distinct halves, taking the listener on a deeply satisfying musical journey from troubling madness to emotional triumph and hope. A gratifying argument that not only is the art of the film score still alive and well, it can often be some of the most rewarding and adventurous work to be found in contemporary music. --Jerry McCulley
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