K-19: The Widowmaker [Soundtrack] [Import] [PR]
Klaus Badelt （Hollywood Records）CD
発売日：2002年7月10日(水)
≪関連『映画・ドラマ』タイトル≫
曲目リスト ※試聴はAmazonでどうぞ。
- Suite For Orchestra And Chorus In G Minor: I. Fear - Largo
- Suite For Orchestra And Chorus In G Minor: II. Fate - Adagio
- Suite For Orchestra And Chorus In G Minor: III. War - Allegro
- Suite For Orchestra And Chorus In G Minor: IV. Soul - Misterioso
- Home
- Heroes
- Journey
- Capt. Alexi Vostrikov
- Missle Launch - The Rescue
- Reactor - Selections From 'Voices Of Light': 'Victory At Orleans', 'Interrogation', 'Abjuration', 'Relapse', 'Karitas', 'The Final Walk'
- Reunion
レビュー (Amazon)
Given the film's fevered, rooted-in-cold-war-history nuclear tensions and claustrophobic, intensely Russian settings, promising newcomer/Hans Zimmer protege Klaus Badelt (The Time Machine and contributions to Gladiator and Pearl Harbor) was saddled with more than a few expectations in scoring director Kathryn Bigelow's Soviet sub thriller. But Badelt has admirably risen to the occasion, conjuring up an orchestral score (masterfully performed by the Kirov Orchestra and Chorus under Valery Giergiev) rooted in moody Russian classicism--and a dash of Zimmer's favorite Holstian drama as well. The centerpiece here is the neo-classical Suite for Orchestra and Chorus in G Minor, its four movements ("Fear," "Fate," "War," "Soul") powerfully underscoring the film's unrelenting pressure cooker of drama and emotion. Badelt's use of excerpts from Richard Einhorn's Voices of Light suite ("Reactor") is equally inspired, its haunting choral touches and spare, evocative arrangements imparting some compelling gravitas to the story's dark sense of impending doom. A score as noble, if emotionally ominous, as the 20th-century Russian masters who inspired it. --Jerry McCulley
