Man on Fire [Soundtrack] [Import] [PR]

Harry Gregson-Williams （Varese Sarabande）

CD
発売日：2004年7月27日(火)

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曲目リスト ※試聴はAmazonでどうぞ。

Una Palabra
Main Title
Taxi
El Paso
Creasy's Room
The Rave
Pita's Sorrow
Nightmare
Bullet Tells The Truth
Followed
Smiling
You Are Her Father
No Mariachi
The Drop
Angel Vengador
You Betrayed Me
She's Dead
The Crime Scene
Pita's Room
Gonzalez
Oye Como Va
La Nina
Creasy's Art Is Death
The Voice
Sanchez Family
The Rooftop
The End
Man On Fire (Remix)

レビュー (Amazon)
Director Tony Scott's tale of an ex-Marine-turned-bodyguard (Denzel Washington) who responds to the kidnapping of his young charge and her family with a violence-drenched cycle of revenge and torture is driven by the filmmaker's typically manic visual sense. English composer Harry Gregson-Williams, whose conjured similar action-oriented synth-symphony fusion scores for The Rundown and Spy Game, deftly expands the dimensions of that bi-polar musical sensibility here, infusing it with gentle ethnic folk touches and the ever-savory sonic contributions of Lisa Gerrard. The composer matches Scott's visually jarring action sequences with a melange of strangled guitar riffs, metallic rhythms and aggressive electronic soundscapes, contrasting them masterfully against quiet piano passages and brooding symphonic pastoralism. Contemporary Latin ballads by Gabriel Gonzalez and Cuban singer/songwriter Carlos Varela help cement the score's foreign intrigue, while Gerrard (arguably the MVP of soundtrack utility players) contributes a smart remix of the title track and collaborates with Gregson-Williams on the haunting "The End," which also features her distinctly exotic vocals. The result is a spiritual cousin to Hans Zimmer's similarly compelling brew of electronica and world music for Black Hawk Down. -- Jerry McCulley