Moog [Soundtrack] [Import] [PR]

Charlie Clouser、Pamelia Kurstin、Edd Kalehoff、DJ Spooky、Robert Moog （Hollywood Records）


CD
発売日：2004年9月14日(火)


≪関連『映画・ドラマ』タイトル≫

曲目リスト ※試聴はAmazonでどうぞ。
ディスク：1
  1. Abomination
  2. Variation One
  3. Bob's Funk
  4. You Moog Me
  5. The Sentinel
  6. Unavailable Memory
  7. When Bernie Speaks
  8. Endless Horizon (I Love Bob Mix)
  9. Micro Melodies
  10. I Am A Spaceman
  11. Sqeeble
  12. Realistic Source
  13. You Have Been Selected
  14. Nanobot Highway
  15. Mixed Waste 4.2
  16. Beautiful Love
  17. Another Year Away
ディスク：2
  1. Lucky Man
  2. Cars
  3. E.V.A.
  4. Mongoloid
  5. Blue Monday
  6. Baroque Hoedown
  7. Close To The Edge
レビュー (Amazon)
Widely dismissed as a passing novelty in its formative years, New York inventor Robert Moog's electronic synthesizer eventually evolved into the most revolutionary instrument of the past century. While the sonic burblings of the original Moog are too often associated with 60's/70's kitsch, musician/documentarian Hans Fjellestad ably frames his film/soundtrack around a more contemporary mix of styles that better showcase the instrument's enduring, nearly boundless potential. Fjellestad's own "Abominatron" intersperses samples of Moog himself discussing the instrument, while Stereolab and Meat Beat Manifesto offer the synth a compelling spotlight within their own band contexts and Bernie Worrell and Bootsy Collins give it some overdue funk/r&b props on "When Bernie Speaks." The bonus disc of non-film cuts haphazardly documents the instrument's historical contributions to rock/pop forms that range from prog (ELP, Yes) to new wave (Devo, Gary Numan, New Order) and mainstream kitsch (They Might Be Giants cover of the Disney Electrical Parade's "Baroque Hoedown") even as it shortchanges Moogphiles of the classical and soundtrack contributions of Wendy Carlos and the bold, inventive excursions of veteran jazz pianist Dick Hyman. --Jerry McCulley
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フランシス・フォード・コッポラ監督『メガロポリス』エンディング曲。
『＃真相をお話しします』劇中使用曲。
『8番出口』劇中使用曲。