Deadwood [Soundtrack] [Import] [PR]

Various （Lost Highway）


CD
発売日：2005年2月8日(火)


≪関連『映画・ドラマ』タイトル≫

曲目リスト ※試聴はAmazonでどうぞ。
  1. No Law
  2. Theme From Deadwood
  3. In Life
  4. Hog Of The Forsaken
  5. Will The Circle Be Unbroken
  6. Go To Hell
  7. Old Friend
  8. Creek Lullaby
  9. Row, Row, Row Your Boat
  10. Iguazu
  11. Pardon My French
  12. Stars And Stripes Forever
  13. God And Man
  14. Fallen From Grace
  15. Native Funeral
  16. Who? Wu?!
  17. Snake Baked A Hoecake
  18. High Fever Blues
  19. Twisted Little Man
  20. Next Round's On The House
  21. Arriving In Deadwood
  22. Farther Along
  23. There's Blood
レビュー (Amazon)
The West of veteran TV writer/Deadwoodcreator David Milch is as grim as it is gritty, sprinkled with salty dialogue and punctuated by sudden brutality and raw sexuality. The original soundtrack cues by composer David Schwartz (represented here by his evocative show theme), Michael Brook and Reinhold Heil and Johnny Klimek play off that vision with often stark rootsiness. But it's the series' rich slate of songs -- choices whose inventiveness often rivals that of The Sopranos -- that consistently reinforce its all-too-human drama, if not the crusty veneer. This collection gathers the best songs from the series' first season, coloring the milieu with evocative hillbilly romps like Michael Hurley's "Hog of the Forsaken" and the a capella grace of Margaret's Native American "Creek Lullaby." But the collection's musical eclecticism stretches far beyond mere genre concerns, variously encompassing the nascent jazz of Jelly Roll Morton (a rollicking "Stars and Stripes Forever"), Delta blues of Bukka White and Mississippi John Hurt and even Gustavo Santaolalla's hypnotic Brazilian fretwork. But the collection's country and folk-tinged performances are its most resonant, whether invoking earthy traditions (the gospel fervor of the late June Carter Cash's "Will the Circle Be Unbroken," Sonny Terry & Brownie McGhee's more heretical "God and Man") or more contemporary stylings like Lyle Lovett's "Old Friend" and the gentle "Twisted Little Man" by Michael J. Sheehy. --Jerry McCulley
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