Good German (Score) [Soundtrack] [Import] [PR]
Various Artists （Varese Sarabande）CD
発売日：2007年1月9日(火)
≪関連『映画・ドラマ』タイトル≫
- 『さらば、ベルリン』 (2006)
曲目リスト ※試聴はAmazonでどうぞ。
- Unrecht Oder Recht (Main Title)
- River Havel
- Countess Roundheels
- Such A Boy
- Kraut Brain Trust
- The Russian Deals
- A Good Dose
- Muller's Billet
- Wittenbergplatz
- Trip Ticket
- Safe House
- A Nazi And A Jew
- Dora
- Kurfurstendamm
- The Big Three
- A Persilschein
- Stickball
- Golem
- Atom Bomb
- The Good German
- Hannelore
- Occupation Marks
- U-Bahn
- The Bradenberg Gate
- Skinny Lena
- Rockets For Our Side
- Always Something Worse
- Godless People (End Title)
- Jedem Das Seine
レビュー (Amazon)
Just as director Steven Soderbergh paid tribute to the atmospheric black and white thrillers of the postwar period with this movie, composer Thomas Newman came up with a score that strives to evoke the majesty of works by the likes of Miklos Rozsa, Max Steiner and, of course, his own father, Alfred Newman. For once the enormous ensemble credited as the Hollywood Studio Symphony does not feel wasted: most of the brooding ambiance is created by thick, dark clouds of strings, and tension often rises from the strings' juxtaposition with brass. Newman also makes good use of oft-neglected instrumental voices: Check out the harp on "Muller's Billet," "Trip Ticket" and "Golem," for instance; it really makes you wonder why that instrument isn't used more. In terms of mood-setting, the music is perfect: listening to cues such as "Kurfustendamm" will instantly transport you back to a rainy street in 1945--or rather, a Hollywood backlot made to look like a rainy street in 1945. Sure, this is a deliberately retro soundtrack, but it's done with elegance and deep understanding of a certain classic scoring style. --Elisabeth Vincentelli
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