The Darjeeling Limited [Soundtrack] [Import] [PR]

Owen Wilson、Adrien Brody、Jason Schwartzman、Amara Karan、Wallace Wolodarsky （Abkco）


CD
発売日：2007年9月25日(火)


≪関連『映画・ドラマ』タイトル≫

曲目リスト ※試聴はAmazonでどうぞ。
  1. Where Do You Go To (My Lovely)
  2. Title Music From Satyajit Ray's Film Jalshagar
  3. This Time Tomorrow
  4. Title Music From Satyajit Ray's Film Teen Kanya
  5. Title Music From Merchant-Ivory's Film The Householder
  6. 'Ruku's Room' From Satyajit Ray's Film Joi Baba Felunath
  7. 'Charu's Theme' From Satyajit Ray's Film Joi Baba Felunath
  8. Title Music From Merchant Ivory's Film Bombay Talkie
  9. 'Montage' From Nityananda Datta's Film Baksa Badal
  10. Prayer
  11. 'Farewell To Earnest' From Merchant-Ivory's Film The Householder
  12. 'The Deserted Ballroom' From Merchant-Ivory's Film Shakespeare Wallah
  13. Suite Bergamasque: 3. 'Clair De Lune'
  14. 'Typewriter Tip, Tip, Tip' From Merchant-Ivory's Film Bombay Talkie
  15. Memorial
  16. Strangers
  17. Praise Him
  18. Symphony No.7 In A (Op.92) Allegro Con Brio
  19. Play With Fire
  20. 'Arrival In Benaras' From Merchant-Ivory's Film The Guru
  21. Powerman
  22. Les Champs-Elysees
レビュー (Amazon)
Music plays a huge part in director Wes Anderson's meticulously crafted world. For this movie set in India, he's come up with a typically wide-ranging, mind-boggling soundtrack largely culled from the mid-'60s and early '70s, despite the fact that the film is set in the present. Though Indian cinema has come to mean Bollywood for most Americans, Anderson pays tribute to art filmmaker Satyajit Ray by including music from some of his movies, mines the early (1963-1970), lesser-known oeuvre of James Ivory, and features traditional Indian tunes. This may throw fans of Bollywood's more frantic style at first (even if the upbeat go-go "Typewriter Tip, Tip, Tip," co-sung by superstar Asha Bhosle, gets close), but the music's eerie charm works in insidious ways. British Invasion pop, an enduring love of Anderson's, is represented by obscure songs from well-known combos (three cuts from the Kinks' 1970 album Lola versus Powerman and the Moneygoround, Part One), as well as obscure songs from obscure performers, like Peter Sarstedt's 1969 nugget "Where Do You Go To (My Lovely)." Add a fantastic Rolling Stones pop tune from 1965, a couple of Western classical tracks, a popular French hit by Joe Dassin, and you have a CD that's all over the map yet oddly consistent in its eccentricity. --Elisabeth Vincentelli
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