シンバッド七回目の航海

1. Overture
2. the Fog
3. The Princess
4. The Stone Gate
5. The Cyclops
6. the Trumpets
7. Bagdad
8. Sultan's Feast
9. The Vase
10. Cobra Dance
11. The Prophesy
12. The Pool
13. Night Magic
14. Tinv Princess
15. the Ship
16. The Fight
17. The Return
18. The Skull
19. The Cave
20. The Capture
21. The Fight With The Cyclops
22. Cyclop's Death
23. The Cliffs
24. The Egg
25. The Request
26. The Genie's Home
27. The Fight With The Roc
28. The Nest
29. The Dragon
30. Transformation
31. The Skeleton
32. The Duel With The Skeleton
33. The Sword
34. Dragon and Cyclops
35. The Crossbow
36. The Death Of The Dragon
37. Finale

発売日：1998年9月8日(火)
レーベル：Varese Sarabande

1. Overture
2. The Fog
3. The Princess
4. The Stone Gate
5. The Cyclops
6. The Trumpets
7. Bagdad
8. Sultan's Feast
9. The Vase
10. Cobra Dance
11. The Prophesy
12. The Pool
13. Night Magic
14. Tiny Princess
15. The SHip
16. The Fight
17. The Return
18. The Skull
19. The Cave
20. The Capture
21. The Fight With The Cyclops
22. Cyclops' Death
23. The Cliffs
24. The Egg
25. The Request
26. The Genie's Home
27. The Fight With The Roc
28. The Nest
29. The Dragon
30. Transformation
31. The Skeleton
32. The Duel WIth The Skeleton
33. The Sword
34. Dragon and Cyclops
35. The Crossbow
36. The Death of The Dragon
37. Finale

発売日：1998年10月5日(月)
レーベル：Varese Sarabande

レビュー (Amazon)
Bernard Herrmann scored four films featuring the special effects genius of Ray Harryhausen: The Three Worlds of Gulliver (1960), Mysterious Island (1961), Jason And The Argonauts (1963) and The Seventh Voyage Of Sinbad, a fabulous exercise in bombast from 1958 (right before his classic score for Hitchock's Vertigo). From the whirling Arabian tarantella of the "Overture" to its subtler reprise in "Sultan's Feast", the Sinbad score carries enough passion in one extended motivic device for any movie. Of course Herrmann went much further. There's an interminable feeling of waiting for something in "The Fog"; a theme for "The Princess" that's even more manipulatively sweet than John Williams's Star Wars counterpart. And being a Sinbad tale, there is naturally an adventurous high-seas pay-off once "The Cyclops" is reached. A suite of furious proportions, full of rippling percussive rolls and staccato brass rhythms is made out of "The Fight With The Cyclops" and "The Cyclops' Death". Lest we forget, there is also the tickling xylophone effect now synonymous with anything bony in "The Duel With The Skeleton" (which was unforgettably employed again in Jason And The Argonauts). Varese Sarabande's loving re-creation of the score conducted by John Debney is superb, all wrapped up in a gloriously decorated package of original artwork. --Paul Tonks