- Dr. No: The James Bond Theme
- Medley: Dr. No: Suite: Death Of the Tarantula/Killing the Guard/Death Of Dr. No
- From Russia With Love: Suite: Main Title
- Medley: From Russia With Love: Suite: The Zagreb Express/Gypsy Camp
- From Russia With Love: Suite: The Golden Horn
- From Russia With Love: Suite: Girl Trouble
- From Russia With Love: Suite: 007 Takes the Lektor
- Medley: Goldfinger: Suite: Into Miami/Alpine Drive
- Goldfinger: Suite: Dawn Raid At Fort Knox
- Medley: Thunderball: Suite: The Bomb/Cafe Martinique (Mr. Kiss Kiss Bang Bang)
- Medley: Thunderball: Suite: Fight On the Disco Volante/Death Of Largo-Finale
- Medley: You Only Live Twice: Suite: Bond's Funeral/The Human Torpedo/Mountains And Sunsets
- Medley: You Only Live Twice: Suite: The Wedding/James Bond Averts WWIII/Capsule In Space
- Medley: On Her Majesty's Secret Service: Suite: This Never Happened To the Other Fella'/Gumbold's Safe Break
- Medley: On Her Majesty's Secret Service: Suite: Bond Meets the Girls/Who Will Buy My Yesterdays?
- Medley: On Her Majesty's Secret Service: Suite: Escape From Piz Gloria And the Ski Chase
- Medley: Diamonds Are Forever: Suite: Mr. Wint And Mr. Kidd/Moon Buggy Ride
- Medley: Diamonds Are Forever: Suite: Blofeld's Laser/Killing Wint And Kidd
- Diamonds Are Forever: Suite: Diamonds Are Forever
発売日:1999年11月16日(火)
レーベル:Silva America
レビュー (Amazon)This ensemble, which specializes in film-score covers, revisits Bond in a roster that spans from
Dr. No to
Diamonds Are Forever. The focus is mostly on previously unreleased scores and action cues assembled into suites. The style, while grand and reverential, has the lackluster quality often inherent in semiclassical approaches to orchestral pop. The collection does shine occasionally, thanks mostly to the counterpoint of electronic keyboards and guitar touches that include Vic Flick--the man who provided the original surf licks on the familiar "James Bond Theme." The highlight is a nicely arranged and crisply engineered main theme to
From Russia with Love. The liner notes also provide some useful information about how John Barry's style had evolved with each movie.
--Joseph Lanza