- Overture
- Prelude
- Roman Legions
- The Elders/Sanctuary
- The Scrolls/Subjagation
- Road To Bethlehem/The Nativity
- The Slaughter Of Innocents
- Joseph & Mary
- Pontius Pilate's Arrival
- John The Baptist
- Revolt/Barabbas' Escape
- Baptism Of Christ/Sadness And Joy
- The Last Temptation Of Christ
- The Chosen
- Herod's Feast
- Miracles
- The Hovel
- Parable Of The Seed
- Mary Madalene/Answer From A Stone
- The Blessing
- Casting Out The Demon
- Woman Of Sin
- John's Message
- Jugglers & Tumblers/Herod's Desire
- Salome's Dances
- Christ's Answer/The Beheading Of John
- Salome's Dance #6 (deleted reprise)
- Mount Galilee/Sermon On The Mount/Love Your Neighbor
- The Law Of The Prophets
- The Lord's Prayer
- The Disciples
- Barabbas' Plan
- Entr'acte
- Premonition
- Jesus Enters Jerusalem/A Tempest In Judea/Defeat/Phalanx/False
- Judas Sees Caiphas/Gethsemane
- Agony In The Garden/Judas' Kiss
- Herod's Castle Trumpet
- Christ Before Herod
- The Scourging Of Christ/Crown Of Thorns
- Via Dolorosa/Christ Bearing His Cross
- Last Words Of Christ/Golgotha/The Pieta/The Sepulcher/Resurrection
- Epilogue
発売日：2002年3月11日(月)
レーベル：Rhino / Wea
レビュー (Amazon)To call Hungarian-born film composer Miklos Rozsa the musical king of historical epics would hardly be hyperbole;
Ben-Hur alone might have earned him the title. Recorded just two years after
Hur, Rozsa's score to MGM's typically grand retelling of Christ's life was a worthy, sweeping orchestral bookend to the studio's previous Biblical-themed success. But its original soundtrack release was another matter: a vastly inferior European recording that crudely cut together but 40 minutes of Rozsa's musical cues. This richly annotated Turner Classic Movies/Rhino Records double-disc corrects that shortcoming (and an early '90s abridged version of the original score) and then some, collecting together for the first time Rozsa's complete MGM studio recordings for the film. Mastered from the studio's original multitracks, the sound is nothing short of spectacular, the sweeping scope of Rozsa's cues a tribute to what often seems a dying art form. Indeed, the melodic themes and dramatic, orchestral thunder here could power a half-dozen contemporary CGI-fueled actioners.
--Jerry McCulley
