13ウォーリアーズ

1. Old Bagdad
2. Exiled
3. Semantics
4. The Great Hall
5. Eaters Of The Dead
6. Viking Heads
7. The Sword Maker
8. The Horns Of Hell
9. The Fire Dragon
10. Honey
11. The Cave Of Death
12. Swing Across
13. Mother Wendol's Cave
14. Underwater Escape
15. Vahalla/Viking Victory
16. A Useful Servant

発売日：1999年8月10日(火)
レーベル：Varese Sarabande

レビュー (Amazon)
To capture the horror, passion, and odd romance of Michael Crichton's tale of ancient clashes between Arabs and Vikings, Goldsmith embarks on a musical spectacle of his own. He borrows from known Arab musical sources, but because no known record exists of Viking music, he resorts to his imagination. The result is a kind of Viking exotica that approximates the songs those ruthless Scandinavians might have invoked to inspire their wicked wanderlust. Here, Goldsmith's orchestra displays some crisp and innovative moments, but much of the time it conforms to the dictates of previous Hollywood historical epics. There are the ceremonious strings and horns in moods that alternate from blood lust to cosmic humility, not to mention the chorus, which rails from a netherworld of judgmental gods. --Joseph Lanza

1. オールド・バグダッド
2. 追放
3. 野営
4. 13人目の戦士
5. 死者を喰らう者
6. 持ち去られた首
7. 刀鍛治
8. 霧の怪物
9. 火龍
10. 蜂蜜酒
11. 死の洞窟
12. 滝越え
13. マザー・ウェンドル
14. 脱出
15. ヴァルハラ!/勝利
16. 帰郷

発売日：2000年2月9日(水)
レーベル：カルチュア・パブリッシャーズ

発売日：2009年2月3日(火)
レーベル：Varese Sarabande

レビュー (Amazon)
Prologue out the way, the second cue ("Exiled") of Jerry Goldsmith's 13th Warrior score is a perfect summation of what to expect and why. Lace in a sub-Indiana Jones fanfare, and these 55 minutes could come straight out of The Mummy, the movie he completed just before working on this one. It's not unknown for Goldsmith to bleed stylistically from one picture to the next, but this is bleeding ridiculous! Making the main distinction between the two scores, however, is an uncredited male chorus doing what's expected of them in shouting "Viking" at you (although even they slide into Goldsmith's Russian sound from Air Force One). You can't fault any of the instrumentation choices (except perhaps the occasional alarmingly twee electronic effect), nor the powerful effect of what is extremely well orchestrated music. But the 13th Warrior score suffers like the film itself from applying 1990's thinking onto an historical backdrop. It all looks and sounds wonderful, but even the slightest dissection reveals the Hollywood hangover of over-familiarity. --Paul Tonks