理由なき反抗

1. EAST OF EDEN: Main Title
2. EAST OF EDEN: Cal And Sam
3. EAST OF EDEN: Cal Helps Father
4. EAST OF EDEN: Fog Scene
5. EAST OF EDEN: Cal's Dance In The Fields
6. EAST OF EDEN: Ferris Wheel
7. EAST OF EDEN: Bedroom Window
8. EAST OF EDEN: Cal And Aron Visit Mother
9. EAST OF EDEN: Finale
10. Rebel Without A Cause: Main Title
11. Rebel Without A Cause: The Planetarium
12. Rebel Without A Cause: Knife Fight
13. Rebel Without A Cause: Love Theme
14. Rebel Without A Cause: The Hunt
15. Rebel Without A Cause: Plato's Death - Finale

発売日：1997年8月19日(火)
レーベル：Nonesuch

レビュー (Amazon)
Leonard Rosenman is one of the few composers to have launched a film career on the recommendation of a major Hollywood star. The iconoclastic Rosenman, who had been enjoying an avant-garde concert hall career, was hired by director Elia Kazan in 1955 to score East of Eden at the insistence of leading man James Dean. Rosenman's cutting-edge style was partly inspired by his studies with serial pioneer Arnold Schoenberg, whose modernisms found their way into his scores through various guises (for example, in his 12-tone score for The Cobweb). Nevertheless, East of Eden is remembered primarily for its gentle, lyrical Americana and its expressive use of jazz. The main influence is Copland, but Rosenman is too original a composer for the comparison to be drawn broadly. Also released the same year was Nicholas Ray's Rebel Without a Cause (1955), which Rosenman underscored with the primitive energy of his abstract concert works. This is the art music of America's restless, disenfranchised youth, tempered only by the compassion of the composer's main theme. Conductor John Adams was endorsed by Rosenman for this recording, and brings out every nuance of the artist's complex but accessible voice. --Kevin Mulhall