| 2 |
 |
TO KILL A MOCKINGBIRD OST / BLUES AND BRASS[Soundtrack] [Import] ELMER BERNSTEIN
1. Main Title 2. Roll in the Tire 3. The Search for Boo 4. Jem's Discovery 5. To Kill a Mockingbird 6. Tree Treasure 7. Lynch Mob 8. Footsteps in the Dark 9. Children Attacked 10. Scout & Boo 11. Summer's End 12. Blues at Five 13. Jubilation 14. Exotica 15. The Poor People of Brazil 16. Central Park 4Am 17. Wild and Crazy 18. Hop, Skip, But Jump 19. Smooth 20. Lament in Five 21. Just a Little Jazz 22. Nightcap 23. Return of the Man
発売日:2014年9月15日(月) レーベル:EL
|
| 4 |
 |
Ost: to Kill a Mockingbird[Soundtrack] [Import] Original Soundtrack
発売日:1997年7月15日(火) レーベル:Varese Sarabande
レビュー (Amazon) If there is one film score that stands as the quintessential example of the chamber model, that score would be Elmer Bernstein's To Kill a Mockingbird (1962). Based on the Harper Lee book, Robert Mulligan's film tells the story of Atticus Finch (Gregory Peck), an Alabama lawyer who accepts a racially sensitive case while raising his motherless children in an economically impoverished town during the 1930s. One of the most influential scores ever written, Bernstein's music is the embodiment of a child's sensibility. The evocative main theme, introduced by solo flute, is arguably the most rapturous melody heard on any American film soundtrack. Composed for small ensembles of strings, winds, brass, and piano, the remainder of the score is appropriately imaginative, warm, curious, buoyant, and impressionistic. Bernstein's music defends the children as they approach the horizon of maturity. When Finch's daughter, Scout (Mary Badham), offers a reminiscence from an adult perspective during the closing frames, the nostalgic music adds resonance to her words and invites the listener to draw upon his or her own memories of innocence and youth. This definitive re-recording offers the complete score sequenced in chronological order. An essential purchase. --Kevin Mulhall
|