- White Horses - Lucy Street
- I Got You Babe - Sonny & Cher
- (White Man) In Hammersmith Palais - The Clash
- Just Can't Get Enough - Depeche Mode
- Skin Deep - The Stranglers
- The Cutter - Echo & The Bunneymen
- The Sweetest Girl - Scritti Politti
- Strange Feelin' - Tim Buckley
- Cocaine in My Brain - Dillinger
- January February Barbara Dickson
- I've Never Been To Me - Charlene
- Cello Song - Nick Drake
- Warm Leatherette - The Normal
- Whole Wide World - Wreckless Eric
- White Riot - The Clash
- Kings Of The Wild Frontier - Adam And The Ants
- Another Girl, Another Planet - The Only Ones
- (Drawing) Rings Around The World - Super Furry Animals
発売日：2002年7月16日(火)
レーベル：Sony
レビュー (Amazon)U.K. writer-director Sandra Goldbacher's sophomore feature details the friendship of two London girls from their teens into their 40s, a journey that's typically fraught with as much pathos as humor. As much of the film spans the new wave/punk-besotted '80s, it leans handily on some well-chosen pop tracks from the era, including the Normal's pulsing, electro-macabre "Warm Leatherette," "Just Can't Get Enough" by the original Vince Clarke edition of Depeche Mode, a couple early Clash tracks, "Another Girl, Another World" by the woefully underrated Only Ones, Wreckless Eric's "Whole Wide World," and Scritti Politti's "The Sweetest Girl." But it also underscores a diversity that was easily overlooked in the era, with the arty efforts of the Stranglers ("Skin Deep") and Nick Drake ("Cello Song") helping map out the film's psychic landscape. The remainder spans everything from Sonny & Cher and Tim Buckley to the Super Furry Animals, with Lucy Street's standout pop ballad "White Horses" emphasizing the score's back-to-the-'80s sensibility in winning fashion.
--Jerry McCulley
