ゴーストタウンの花 (TV) (2009)

1. Life In Technicolor
2. Cemeteries Of London
3. Lost!
4. 42
5. Lovers In Japan/Reign Of Love
6. Yes
7. Viva La Vida
8. Violet Hill
9. Strawberry Swing
10. Death And All His Friends

発売日：2008年6月17日(火)
レーベル：Capitol

レビュー (Amazon)
To say there has been a lot of anticipation for Coldplay’s fourth album, Viva La Vida, is an understatement. Having enlisted legendary leftfield producer Brian Eno, borrowed their album title from a painting by renowned Mexican artist Frida Kahlo and made tantalising remarks about sonic reinvention, the world has been curious (to say the least) to hear what the ‘new’ Coldplay might sound like. Viva La Vida definitely makes some departures from the band’s usual formula, which happens to be one of the most commercially successful rock-pop blueprints of recent years. The plangent chords, emotive melodies, stadium-rock rhythms and universal lyrical concerns remain, but Martin and co. have gone out on several limbs here, incorporating instrumental tracks ("Life In Technicolour"), using subtle North African and Latin elements ("Yes", "Strawberry Swing"), and overhauling previously strict verse-chorus-verse structures in favour of slightly more avant arrangements. The old Coldplay still shine through (see tracks like "Violet Hill" and the title song) but even their classic sound feels more muscular and confident. The band’s new flourishes, cosmetic and self-conscious as they may be, are enough to make Viva La Vida a welcome break from the old routine --Danny McKenna

People en Espanol
Cuando Coldplay anuncio con bombo y platillo que su cuarto disco, bajo el ambicioso titulo de Viva La Vida or Death and All His Friends, vendria acompanado de la produccion de Brian Eno, dos escenarios se convertian en posibilidad: o se trataba de su peor album o la obra maestra de su carrera. Afortunadamente, la produccion de Eno no lleva a la banda britanica a imitar a U2 por ningun momento, y en cambio, el grupo liderado por Chris Martin presenta el mejor disco en su trayectoria, ofreciendo un sonido distinto, en el que por fin se alejan del pianito hartante de sus primeros tres albumes y suenan como lo que siempre prometieron ser: una de las mejores bandas del mundo. "Life In Technicolor," "Viva la Vida," y sobre todo el tema "Lost!," representan a Coldplay en su momento cumbre. --Ernesto Sanchez (People en Espanol )

1. 天然色の人生
2. 哀しみのロンドン
3. ロスト!
4. 42
5. ラヴァーズ・イン・ジャパン
6. Yes
7. 美しき生命
8. ヴァイオレット・ヒル
9. ストロベリー・スウィング
10. 生命の幻影
11. ロスト?(日本盤ボーナストラック)

発売日：2008年6月18日(水)
レーベル：EMI MUSIC JAPAN(TO)(M)

レビュー (Amazon)
To say there has been a lot of anticipation for Coldplay’s fourth album, Viva La Vida, is an understatement. Having enlisted legendary leftfield producer Brian Eno, borrowed their album title from a painting by renowned Mexican artist Frida Kahlo and made tantalising remarks about sonic reinvention, the world has been curious (to say the least) to hear what the ‘new’ Coldplay might sound like. Viva La Vida definitely makes some departures from the band’s usual formula, which happens to be one of the most commercially successful rock-pop blueprints of recent years. The plangent chords, emotive melodies, stadium-rock rhythms and universal lyrical concerns remain, but Martin and co. have gone out on several limbs here, incorporating instrumental tracks ("Life In Technicolour"), using subtle North African and Latin elements ("Yes", "Strawberry Swing"), and overhauling previously strict verse-chorus-verse structures in favour of slightly more avant arrangements. The old Coldplay still shine through (see tracks like "Violet Hill" and the title song) but even their classic sound feels more muscular and confident. The band’s new flourishes, cosmetic and self-conscious as they may be, are enough to make Viva La Vida a welcome break from the old routine--Danny McKenna