アニマルファーム

1. 'Storm Of Judgement'/Main Title
2. 'Dumb Animals...'
3. Meeting In The Barn
4. Old Major's Last Words/'Beasts Of The World'
5. 'We Can Help Ourselves'
6. The Battle Of The Barn
7. 'At Last We Were Free'
8. In The House/Commandments
9. The Harvest And The Flag
10. The Pigs Take Control
11. The Big Battle
12. Snowball Banished
13. 'Long Live Animal Farm'/The Windmill
14. 'Let Me Explain'
15. Jones Destroys The Windmill
16. 'Glorious Leader Napolean!'/Squealer's Song
17. 'All Hens Are Criminals!'/The Pigs Get Drunk
18. 'Guilty!'
19. Boxer's Fate
20. 'More Equal Than Others'
21. The Song Of The Grateful Duck
22. 'We Were Never Free'
23. End Titles

発売日：1999年10月5日(火)
レーベル：Varese Sarabande

1. Storm of judgement
2. Dumb animals
3. Meeting in the barn
4. Old major's last words
5. We can help ourselves
6. The Battle of the barn
7. At last we were free
8. In the house
9. The Harvest and the flags
10. The Pigs take control
11. The big battle
12. Snowball banished
13. Long live animal farm
14. Let me explain
15. Jones destroys the windmill
16. Glorious leader Napoloean
17. All hens are criminals / The pigs get drunk
18. Guilty!
19. Boxer's fate
20. More equal than others
21. The song of the grateful duck
22. We were never free
23. End titles

発売日：1999年10月18日(月)
レーベル：Varese Sarabande

レビュー (Amazon)
Thanks to the technology pioneered in Babe, George Orwell's metaphorical masterpiece can finally be brought to life realistically. Composer Richard Harvey's initial take on the story is that of a nobly struggling commune deserving powerful portrayal in an anthem for the oppressed ("Storm of Judgement/Main Title"). This full-scale orchestral lament appears in bolder and steadily brighter arrangements through the score (notably in "Boxer's Fate"). But the aspect of real note here are the Russian-influenced songs for independence, often sung by male chorus. These are either paeans or prayers of servitude to the governmental seat ("Glorious Leader Napoleon !"). The album makes for a very full hour of music, with the songs bringing the nicest surprises. In addition, there are surprising colours in the instrumentation that show this to be a well thought out score: for the finale ("We Were Never Free"), Harvey dips into Hans Zimmer's style (Crimson Tide to be specific) for a denouement of thumping pride. Overall, it's a most rousing salute to Orwell, the possibilities for televisual scoring, and the oppressed hordes everywhere. --Paul Tonks